Oil on canvas (1913): Vasily Kandinsky's Improvisation No. 30 (Cannons) — a turbulent abstract composition in swirling bands of red, yellow, black, blue, and white, with two visible cannons in the lower right. Collection of The Art Institute of Chicago.
Oil on canvas (1913): Vasily Kandinsky's Improvisation No. 30 (Cannons) — a turbulent abstract composition in swirling bands of red, yellow, black, blue, and white, with two visible cannons in the lower right. Collection of The Art Institute of Chicago.
Oil on canvas (1913): Vasily Kandinsky's Improvisation No. 30 (Cannons) — a turbulent abstract composition in swirling bands of red, yellow, black, blue, and white, with two visible cannons in the lower right. Collection of The Art Institute of Chicago.
Oil on canvas (1913): Vasily Kandinsky's Improvisation No. 30 (Cannons) — a turbulent abstract composition in swirling bands of red, yellow, black, blue, and white, with two visible cannons in the lower right. Collection of The Art Institute of Chicago.
Oil on canvas (1913): Vasily Kandinsky's Improvisation No. 30 (Cannons) — a turbulent abstract composition in swirling bands of red, yellow, black, blue, and white, with two visible cannons in the lower right. Collection of The Art Institute of Chicago.
Oil on canvas (1913): Vasily Kandinsky's Improvisation No. 30 (Cannons) — a turbulent abstract composition in swirling bands of red, yellow, black, blue, and white, with two visible cannons in the lower right. Collection of The Art Institute of Chicago.

Vasily Kandinsky: Improvisation No. 30, Art Print

Regular price $38.25

Kandinsky didn't intend to paint cannons. They appeared — lower right, unmistakable — in this 1913 oil on canvas, made as Europe slid toward war. In a letter to Arthur Jerome Eddy, a Chicago collector who purchased the work directly from Kandinsky, he wrote: "The cannons . . . could probably be explained by the constant war talk going on through the year [but] the true contents are what the spectator experiences while under the effect of the forms and color combinations of the picture."

Between 1910 and 1914, Kandinsky produced a series of "improvisations" — works he described as unconscious, spontaneous expressions, part of his broader argument that painting, like music, could convey inner states independent of representation. Improvisation No. 30 (Cannons). 1913. Collection of The Art Institute of Chicago. Museum-quality poster made of thick matte paper. Printed on archival matte paper from Japan, 10.3 mil thick, 189 g/m².

• Giclée printing quality
• Paper sourced from Japan
• Paper thickness: 10.3 mil
• Paper weight: 189 g/m²

Your print is made to order. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making a thoughtful purchasing decision! Some size prints may arrive with extra borders top and bottom due to the sizing of the artwork.

Oil on canvas (1913): Vasily Kandinsky's Improvisation No. 30 (Cannons) — a turbulent abstract composition in swirling bands of red, yellow, black, blue, and white, with two visible cannons in the lower right. Collection of The Art Institute of Chicago.
Oil on canvas (1913): Vasily Kandinsky's Improvisation No. 30 (Cannons) — a turbulent abstract composition in swirling bands of red, yellow, black, blue, and white, with two visible cannons in the lower right. Collection of The Art Institute of Chicago.
Oil on canvas (1913): Vasily Kandinsky's Improvisation No. 30 (Cannons) — a turbulent abstract composition in swirling bands of red, yellow, black, blue, and white, with two visible cannons in the lower right. Collection of The Art Institute of Chicago.
Oil on canvas (1913): Vasily Kandinsky's Improvisation No. 30 (Cannons) — a turbulent abstract composition in swirling bands of red, yellow, black, blue, and white, with two visible cannons in the lower right. Collection of The Art Institute of Chicago.